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A young woman escapes her father's house and goes to live in the city. There, she realises her father may still be controlling her life through the people she meets.

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In a castle, isolated in the heart of winter, lives a strange family: Hugo, in his forties; Eléonore, his wife; Aunt Agathe, Hugo's sister, an old maid attached to traditions; Sébastien, Eléonore's brother, to whom he is devoted with a troubled affection. Frédéric, a young student, is welcomed by the family and stays at the castle for a while to research a family ancestor. A complex game of manipulation then begins, orchestrated by all the family members, during which Frédéric finds love, at the risk of his life...

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In his latest short, Georges Schwizgebel directs our eye to the male-dominated world of painting, especially the way it has presented people of color. The two paintings addressed in the title are “Olympia” (1863) by Édouard Manet and “La blanche et la noire” (1913) by Félix Vallotton. Both of them depict—alongside the central female nude—a Black woman in a supporting role. Interwoven in both paintings are also several cross-references to the theme.

In his latest short, Georges Schwizgebel directs our eye to the male-dominated world of painting, especially the way it has presented people of color. The two paintings addressed in the title are “Olympia” (1863) by Édouard Manet and “La blanche et la noire” (1913) by Félix Vallotton. Both of them depict—alongside the central female nude—a Black woman in a supporting role. Interwoven in both paintings are also several cross-references to the theme.

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